Kata, or forms, are formal exercises, a detailed pattern of movements usually performed solo or with a partner. While any fixed performance piece or drill (a monologue, a musical piece, etc.) may be considered a kata, the term kata is usually used in the martial context. Some simpler kata may look like a sequence of drills strung together, but most kata do not. A kata is a performance piece often used to transfer techniques, principles, style, and emphasis. Older kata were not written down until recent times and have almost certainly been modified during transmission. Like a musical piece, the same kata may be performed with significant differences between different styles, schools of the same style, and individuals of the same school. The essential "tune" is usually recognizable, but some times the "dialects" may have drifted by tremendous degrees.
Every language may or may not have a term equivalent to kata. Here
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Japanese uses the word kata = 型 = 形 = form. The Japanese language has no singular or plural variations, hence 1 kata, 2 kata —like 1 deer, 2 deer.
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The embusen of a kata is the rough pattern made on the floor by the kata.
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A kiai is a spirited shout sometimes done at key points in a kata.
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Bunkai are the direct applications or interpretations of the moves in kata. Oyo ~ semi-free are variations on applications or interpretations of the kata. Toridai and himitsu are oyo that are not obvious to the casual observer.
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English uses words like forms, sets or plays, but the word kata is precise and unambiguous. The English language would do well to steal yet another foreign word!
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Korean uses words hyung = 형 = 形, or poomsae = 품새, or tul.
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Vietnamese might use guyen.
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Chinese might use taolu = 套路.
See also some of my posts on kata:
The following is an attempt to reconcile the karate kata, especially since there is a significant overlap.
Creation: Taikyoku = 太極 = 1st course = basic ultimate. Creator: Funakoshi, Gichin. Aka: Juni no kata (in Shito ryu).
Description: Simplified versions of the Pinian-Heian kata.
Basic execution:
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Right foot pivot, turn left 90 degrees, step downward block.
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Left foot pivot, step forward middle punch. (B on embusen)
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Left foot pivot, step backwards turning right 180 degree, step downward block.
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Right foot pivot, step forward middle punch.
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Right foot pivot, turn left 90 degree, step forward downward block.
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Left foot pivot, step forward middle punch.
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Right foot pivot, step forward middle punch.
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Left foot pivot, step forward middle punch. KIAI! (C on embusen)
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Right foot pivot, turn left 270 degrees downward block.
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Left foot pivot, step forward middle punch. (D on embusen)
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Left foot pivot, step backwards turning right 180 degree, step downward block.
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Right foot pivot, step forward middle punch. (C on embusen)
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Right foot pivot, turn left 90 degree, step forward downward block.
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Left foot pivot, step forward middle punch.
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Right foot pivot, step forward middle punch.
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Left foot pivot, step forward middle punch. KIAI! (A on embusen)
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Right foot pivot, turn left 270 degrees downward block.
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Left foot pivot, step forward middle punch. (B on embusen)
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Left foot pivot, step backwards turning right 180 degree, step downward block.
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Right foot pivot, step forward middle punch. (A on embusen)
Embusen:
C--D
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B--A
Kata:
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Taikyoku shodan = Taikyoku 1. Aka Taikyoku sono ichi in Kyokushin.
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Taikyoku nidan = Taikyoku 2. Aka Taikyoku sono ni in Kyokushin. Like Taikyoku 1, except that moves 6-8 and 14-16 are high punches.
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Taikyoku sandan = Taikyoku 3. Aka Taikyoku sono san in Kyokushin. Like Taikyoku 2, except that moves 1, 3, 9, and 11 are inside-outside middle blocks.
Styles:
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Shotokan. Many skip it.
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Goju. Some do it. Additional Goju Taikyoku kata:
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Taikyoku gedan. Like Taikyoku 1, except it uses shiko dachi = square stances instead.
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Taikyoku chudan. Like Taikyoku 2, except it uses sanchin dachi = hourglass stances instead.
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Taikyoku jodan. Like Taikyoku 3, except it uses age uke = rising blocks instead.
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Taikyoku tora guchi. Employs tora guchi = double-handed hooking block.
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Taikyoku kake uke. Employs kake uke = ankle hooking block.
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Kyokushin. Additional Kyokushin Taikyoku kata:
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Sokugi taikyoku sono ichi. Like Taikyoku 1, except kansetsu geri = stomping kicks to the knee are used added on turns and moves 6-8 and 14-16 are front kicks.
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Sokugi taikyoku sono ni. Like Taikyoku 2, except yoko geri = side kicks are used on turns, and moves 6-8 and 14-16 are front kicks.
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Sokugi taikyoku sono san. Like Taikyoku 3, except yoko geri = side kicks are used on turns, moves 2, 4, 10, and 12 are inside outward roundhouse kicks, and 6-8 and 14-16 are outside inward roundhouse kicks.
Links:
Creation: Pinan series [W]. Creator: Itosu, Anko. Description: Pieces of older kata like Kanku and Gojushiho combined with Itosu's own material. Styles: Wado; Kyokushin.
Creation: Heian series [W] = 平安. Creator: Funakoshi, Gichin modified the Pinian kata, usually making for more athletic techniques. Styles: Shotokan.
Kata:
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Pinan 1
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Pinan 2
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Pinan 3
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Pinan 4
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Pinan 5
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Pinan Dai. Pinan 1-5 strung together and done as one kata.
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Heian 1
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Heian 2
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Heian 3
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Heian 4
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Heian 5
Creation: Tekki = Naihanchi = Naifuanchin 1. Creator: Matsumura, Sokon.
Creation: Tekki = Naihanchi = Naifuanchin 2 & 3. Creator: Itosu, Anko.
Description: Extensive use of kiba dachi = horse stance. Lots of stesso tempo techniques = single time techniques, especially ones that block and attack.
Links:
To organize later
Page Modified: (Hand noted: 2007-10-16 21:03:49Z) (Auto noted: 2010-12-24 22:54:01Z)